Casting News

Ghostlight Ensemble Announces Cast for 'Angry Fags'

Top Row: (From left) Ericka Ayche’le, Justin Broom, Jean E. Mueller-Burr & Catherine Councell; 2nd Row: Seth Eggenschwiller, Sydney Genco, Rafael Lopez & Courtney Marie; 3rd Row: Allison McCorkle, Johnard Washington, Jack Bowes & Topher Payne

Ghostlight Ensemble is pleased to announce the cast and production team of our fall production Angry Fags by Topher Payne.

The play, a not-easy-to-define gay crime/political thriller/drama/dark comedy, examines what happens when the persecuted take up arms in what was previously a political war of words mired in oppression and bigotry.

The cast of Angry Fags is: Ensemble Members Justin Broom as Bennett Riggs and Jean E. Mueller-Burr as Kimberly Phillips with Catherine Councell as Senator Allison Haines, Sydney Genco as Deidre Preston, Rafael Lopez as Cooper Harlow, Ericka Schingoethe as Peggy Musgrove and Johnard Washington as Adam Lowell. Understudies are: Ensemble Member Courtney Marie with Seth Eggenschwiller and Allison McCorkle.

The production team is: playwright Topher Payne, director Jack Bowes, production management Justin Broom and Chad Wise, stage manager Haley Welch, scenic and props designer Nora Brooks-Slauter, lighting designer Chelsea Streb, projections and sound designer Connor Blackwood, costume designer Savana Nix, fight and intimacy choreographer Claire Yearman and marketing Maria Burnham with casting help from Holly Robison.

Read their bios here.

In Angry Fags, a white lesbian state senator is up for re-election in Georgia. Her female opponent is a Black moderate conservative who has aligned herself with right-wing extremists. They’re locked in a tight race in which each side caters to its base and any event can become instantaneously politicized.

When a gay man is bashed with a baseball bat and left to die, his ex-boyfriend, a campaign aide for the incumbent senator, is enraged. But his boss’s unwillingness to label it a hate crime tips him over the edge. Frustration and fear eventually turn to rage, and he teams up with his best friend to embark on a vendetta of sabotage and more, reasoning that if gays aren’t respected enough to win justice, fear will achieve what good intentions and politics cannot.

Angry Fags asks what do we do with our righteous anger? Who do we turn to when we exist within a system that does not protect us, care for us, or keep us safe? Angry Fags is a story of two gay men grappling with these questions and more, as they navigate what justice means to them, to the queer community, and how far they’ll go to fight for it.

Director Jack Bowes says, “When we are taught that the ability to enact violence means power, why are we surprised when the powerless wield it as a tool of resistance? And yet Audre Lorde taught us that ‘the master’s tools will never dismantle the master’s house.’ As fascism crests the horizon of our political landscape, as our communities are increasingly surveilled, as technology further isolates us, what are our options? I hope we can create new tools. And I really hope we can dismantle this entire house, before it’s too late.”

Angry Fags was last produced in Chicago in April 2015 by Pride Films and Plays as part of the Steppenwolf Garage Rep Series.

But Payne re-wrote the cautionary dark comedy in 2019 to reflect the aftermath of the election of the 2016 election and felt that the story being told in his play could not exclude the discussion of race. Concerns about gender, race and sexual orientation do not exist in the bubble, but are all part of the same story of oppression.

Angry Fags will take place at Lifeline Theatre (6912 N Glenwood Ave, Chicago, IL, 60626) on Thursdays-Saturdays at 7:30 p.m. and Sundays at 2:30 p.m. November 7-23, 2025. A preview performance is scheduled on Friday, November 7.

Tickets are pay-what-you-will, with an average donation of $25. Audience members who are financially able to donate more help offset the cost for those who can’t afford to give. For the preview performance, the suggested donation is $10.

Angry Fags is part of Ghostlight’s season celebrating otherness and uplifting Queer characters and voices. Season 9 is centered on the theme, Love As A Verb, and is inspired by a passage from All About Love by bell hooks: “The word ‘love’ is most often defined as a noun, yet all the more astute theorists of love acknowledge that we would all love better if we used it as a verb.”

More information about Angry Fags can be found at www.ghostlightensemble.com/angry-fags.

Ghostlight Ensemble acknowledges support from the Illinois Arts Council Agency. Angry Fags is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com.

Exploration of Queerness and romance takes the digital stage as part of For Your (Re)Consideration series

Andrew Coopman

Andrew Coopman

Ghostlight Ensemble launches its new reading series, For Your (Re)Consideration, which explores the works of historically overlooked female playwrights, with The Convent of Pleasure by Margaret Cavendish at 2 p.m. on Sunday, April 4.

Written in 1688, The Convent of Pleasure tells the story of a group of unmarried women, initiated by Lady Happy, who choose to avoid the pains or displeasures that exist in a male-dominated world and instead create their own community, or convent, of pleasure to create their own perfect, self-functioning society. This virtual reading is directed by Seattle-based Storytelling Interdisciplinary Artist Andrew Coopman. 

What drew Coopman to the piece is it is one of the earliest examples of not just queer narrative, but non-binary narrative as well.

The Convent of Pleasure is a story of two women falling in love and fighting against the cultural expectations placed upon them,” they explained. “And the REALLY wild part is that one of the two primary characters changes gender with no explanation during that last act, which her husband wrote. What could be overlooked or simply labeled a cross-dressing character is, I believe, something much more complex and beautiful and kick-ass and resilient.

The Convent of Pleasure is a great example of how history has erased and suppressed LGBTQ+ identity for comfort and ease, making it seem like a revolutionary or rebel idea of the last century or so,” Coopman continued. “But this beautiful romantic comedy is also a great example of the Queer community’s resilience and determination throughout history. We are Queer, we have been Queer, we have always been here, and it’s time to recognize and celebrate our story… and that’s why audiences should come watch our play.”

The cast of The Convent of Pleasure includes: Ensemble Member Song Marshall with Lotus Lindez, Cynthia Becker, Sagen Berry, Sebastian Summers, Aria Caldwell, Ira McIntosh and KJ Snyder.

As a director, choreographer, devisor, performer, playwright and teaching artist, Coopman has worked in a variety of theaters around the country including Seattle, New York City, Milwaukee and the Chicagoland area. Directing credits include: RE: Social/Divide (Cooperative Performance), Into The Woods (Studio East), Wilde Tales (Seattle Opera), James & The Giant Peach (Village Theater), Little Women The Musical (Seattle Musical Theatre) and the premier of The Sunflower Sisters (Eclectic Theater).

The initial broadcast of The Convent of Pleasure takes place over Zoom at 2 p.m. on Sunday, April 4, and a talkback with the director will take place immediately following. A recording of the performance will be available afterward to stream through the end of April.

Tickets are pay what you will, with a minimum of $5 per reading and the average donation for such virtual offerings at $15. By donating more, if you are able, you help offset the cost for those who can’t afford to give. Tickets are available on the For Your (Re)Consideration page. Please make sure to select the production and performance you are interested in receiving a link to view.

Featuring a variety of distinct voices and styles from different historical periods, the virtual readings that make up For Your (Re)Consideration seek to bring attention to remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race. 

Sometimes referred to as the Other Canon, the work of these early female playwrights dates from Hrotsvitha in the 10th Century to Dorothy C. Guinn in the 1920s. Their plays are as much the building blocks of modern theatre as those of their male counterparts. Some good, some great, some successful in their time, some way ahead of their time, these women have found themselves all but erased from history and rarely, if ever, produced today.

The series is curated by Ensemble Member Holly Robison, who said she struck on the idea for the series a few years ago when she came across The Enchantment by Victoria Benedictsson, who was said to be an inspiration for Hedda Gabler and Miss Julie. 

“I thought it was absurd that those plays are heralded as classics and performed all the time, but I had never even heard of Benedictsson or her play,” Robison said. “I started thinking — what else was missed because the author was a woman? Or what plays and playwrights were never cultivated?”

Additional upcoming readings include:

  • April 11: Distinguished Villa by Kate O’Brien, directed by Elizabeth Lovelady

  • April 18: Mine Eyes Have Seen by Alice Dunbar Nelson, directed by Angelisa Gillyard

  • May 2:  The Enchantment by Victoria Benedictsson, adapted by Clare Bayley, directed by Holly Robison

Additional scripts are being finalized.

Find out more about For Your (Re)Consideration and the entire 2020-2021 Season at GhostlightEnsemble.com.

Introducing the cast of The Princess Without Pots

Pearl Paramadilok as Princess Sweet Pea (left) and Brian Barber as Brax (right) in rehearsals for The Princess Without Pots.

Pearl Paramadilok as Princess Sweet Pea (left) and Brian Barber as Brax (right) in rehearsals for The Princess Without Pots.

In June, we're bringing young audiences a new tale of a fighting princess and her parents' frustrating quest for a storybook romance in The Princess Without Pots.

Saturdays and Sundays in June this world-premiere production will take place at Laugh Out Loud Theater in the North Center of Chicago (3851 N. Lincoln Ave.)

The play is written and directed by Ensemble Member Maria Burnham and stars Pearl Paramadilok as Princess Sweet Pea and Brian Barber and Isa Ramos as her would-be suitors Brax and Miguel with Norman J. Burt, Jessica Casillas, Sydney Ray, Josh Razavi, Kayla White and understudy Sean Hendrickson.

The production team includes: Jean E. Burr (Assistant Director), Carrie Campana (Costume Designer), Dave Gonzales (Fight Designer), Carolyn Minor (Production Manager) and Chad Wise (Props Designer).

Tickets are $10 adults, $5 children 12 and under or $25 family of four and are on sale now.