Ghostlight Ensemble will tackle the age-old debate of which is more valuable to society: art or science, and will probe the perils of building a wall to keep out unwanted children during its 2018-2019 Season.
This fall, Artistic Director Holly Robison directs Steve Martin’s Picasso at the Lapin Agile – an absurdist comedy that imagines a meeting between Albert Einstein and Pablo Picasso in a Parisian cafe in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter sets the art world afire with cubism.
Ghostlight’s production will explore the struggles and similarities between science and art, but also between genius and fame, big ideas and mere notions and optimism of the new and skepticism of the familiar.
“The play imagines the absurd and mundane in the lives of two men who really did go on to impact the world and alter history,” Robison said. “With Picasso, we are asked to consider the men as much as the myth, to see their flaws, silliness, insecurities, hopes and dreams, as much as their towering legacies. The mythic men are humanized. We can see ourselves in them and understand their desires.
“Even if we are not all geniuses, we all to some degree have the same flicker of desire to create, to inspire, to change the world and leave something behind.”
Picasso at the Lapin Agile runs October 19, 2018, through November 4, 2018, at the Otherworld Theatre’s new home at 3914 N. Clark Street in Chicago. The show will have performances on Friday and Saturday evenings and Sunday afternoon matinees, with an industry night performance on Monday, October 22.
The company will continue its Nightlight young audiences series next summer with a new adaptation of Oscar Wilde’s children’s story The Selfish Giant, written by Ensemble Member Maria Burnham.
The Selfish Giant is a tale of a giant who owns a beautiful garden, in which the village children love to play. The giant has been away for 12 years and upon returning is outraged to see the children enjoying themselves on his land. He builds a wall to keep them out and puts up a notice that reads: “TRESPASSERS WILL BE PROSECUTED.” But without the children, the garden falls into perpetual winter and the Selfish Giant finds himself isolated and all alone. Despite this bleak beginning, the story ultimately has a happy ending.
Nightlight is Ghostlight’s summer young audiences series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.
In its second full season, the company will also host a holiday cabaret this December and continue its popular Live Movie Reading Series.
Next up in the Live Movie Reading Series batting order is: You're Killing Me, Smalls: A Live Reading of The Sandlot. The reading, celebrating the 25th anniversary of this coming-of-age story set during the summer of 1962, takes place at 7:30 p.m. Monday, July 16, at My Buddy's (4416 N. Clark Street, Chicago, IL 60640) and is directed by Carolyn Minor.