Much Ado

An Update on the Coronavirus and Ghostlight Ensemble

covid-hdr.jpg

As with so many other arts organizations in the Chicago area, Ghostlight Ensemble has made the decision, after careful consideration, to postpone our spring production of Much Ado About Nothing in light of public health considerations around the Coronavirus disease (COVID-19). 

In addition, we have also postponed our live reading series. Our reading, Great Scott!: It's a Live Reading of Back to the Future, originally scheduled for Monday, March 22, will be rescheduled once the pandemic has passed.

Our first priority is to honor the health and safety of all involved — both actors and audience. Ghostlight is fortunate to be in a position to survive this crisis, but not all the artists who work with us have the financial resources to weather this storm. Therefore, we are asking our supporters to consider donating to Season of Concern, a non-profit who for 30+ years has provided financial support to local Chicago theatre artists suffering from illness, injury or circumstance.

Because so many shows have been canceled or postponed, our local theatre artists are hurting financially. Please help support our peers that may be suffering these hardships and who may also have medical needs in the near future.

It is our hope to present Much Ado About Nothing at a later date, either this summer or next season. It is also our hope to continue the live movie reading series in April with our next scheduled reading of Drop Dead Gorgeous and to reschedule Back to the Future to a later date in the summer or fall. Of course, this will depend on a number of factors that are out of our control and difficult to predict at this time. We will keep everyone up-to-date as things progress.


As always, we welcome your thoughts, suggestions, and input as we navigate this completely unprecedented situation in the most compassionate and conscious way we are able.

All of us at Ghostlight can't wait to gather together again and share the stories that tie us all together as a community. Let's all take good care and stay connected, even as we are forced to physically be apart.

Auditions Announced for Much Ado About Nothing

Much Ado About Nothing.png

We are now accepting submissions to audition for Ghostlight Ensemble’s upcoming immersive production of Much Ado About Nothing to be performed in an Albany Park home, where audience members may move amongst the action as all the drama and comedy unfolds around them. The production will be directed by Producing Director Holly Robison.

Audition Dates:
Auditions: Wednesday January 15 and and Thursday, January 16, 2020: 6:30-9:30 p.m.

Callbacks: Saturday, January 18, 2020: 11 a.m. to 4 p.m. on Chicago’s north side.

Location will be provided when audition slot is assigned.

What to Prepare:
Sides will be forwarded with audition slot.

Tech/Performance Dates:
Performance Dates will be Friday and Saturn evenings and Sunday matinees, April 24 to May 17, 2020, with a possible extension. Tech will be April 18–23, 2020. Rehearsals will begin early-mid March on weekday evenings and weekend days. Rehearsals will be scheduled according to cast availability.

Stipend:
Small stipend.

Character Description:
Looking to cast all roles, ages ranging from early 20s to 70s. Seeking a strong ethnically diverse cast of all genders, ages, shapes and sizes. Some roles may be double cast and/or considered for gender fluid casting. Please see character breakdown below.

  • BEATRICE, pleasant spirited lady

  • HERO, Beatrice’s younger cousin

  • LEONATO, Governor of Messina – Hero’s father and Beatrice’s uncle

  • MARGARET, waiting gentlewoman to Hero

  • URSULA, waiting gentlewoman to Hero

  • BENEDICK, a gentleman from Padua

  • DON PEDRO, Prince of Aragon

  • CLAUDIO, a young lord from Florence

  • BALTHASAR, servant/singer

  • DON JOHN, Don Pedro’s brother

  • BORACHIO, Don John’s comrade

  • CONRADE, Don John’s comrade

  • DOGBERRY, Master Constable in Messina

  • VERGES, Dogberry’s deputy

  • GEORGE SEACOAL, leader of the Watch

  • FIRST WATCHMAN

  • SECOND WATCHMAN

  • FRIAR FRANCIS

  • MESSENGER(s)

Please submit your headshot and resume to Jean at casting@ghostlightensemble.com, and she will be in touch with sides and an audition appointment if we’d like to see you. Please indicate any time restrictions you have for the audition period in your email.

Ghostlight Ensemble puts women front and center in its third season

logo small.jpg

Ghostlight Ensemble announced its Season 3 lineup, including a staged reading of a little-produced World War I-era play, a play festival with new works for young audiences and a Shakespearean comedy that takes place in a living room – quite literally.

The company also announced a change in leadership with Ensemble members Miona Lee and Maria Burnham taking over as co-artistic directors from Holly Robison, who has served as an artistic director since the company was founded in 2016. Robison remains with the Ensemble as a producing director.  

Both Burnham and Lee are founding members of the company and veterans of the Chicago theatre scene. Lee previously served as Literary Manager for the company and Burnham as the Marketing and Communications Director. The pair most recently co-directed Ghostlight’s summer show for young audiences, The Selfish Giant.

“Holly has been an incredible Artistic Director for Ghostlight’s initial seasons. Making a mark in a city full of so many magnificent theater companies is no small feat and she’s done a fantastic job guiding us,” Lee said. “I hope to continue pushing us in the direction of creating thought-provoking works.”

“I think our leadership will be a natural progression from the foundation Holly laid for this company,” added Burnham. “We will continue to push for works that challenge the status quo, that encourage new voices, and new stories and that shine light in places where darkness has allowed ignorance to grow. And we will also continue to tell great stories in unique ways.”

Full bios for both women can be found here.

Before stepping down, Robison helped guide the new season selection, which focuses on strong, female characters. 

“I am so honored to have been a Founding Member and Artistic Director for Ghostlight Ensemble,” Robison said. “It has truly been a wonderful, challenging, and rewarding few years. I’m so proud of the work Ghostlight has produced, and even more excited about the work ahead, especially in our coming season, which we like to call our year of Strong Female Leads. 

“While I look forward to staying on as Producing Director and directing our immersive spring production of Much Ado About Nothing, I’m also so thrilled to be handing the reins over to Maria Burnham and Miona Lee as Co-Artistic Directors. In the season of Strong Female Leads, what could be more fitting than these two fierce females leading our company? They are both great artists and great leaders, and I can’t wait to see where they take Ghostlight in the coming years. Thanks to all the Ghostlight Company Members, Artistic Associates, collaborators, and supporters for a great few years as Artistic Director!”

Ghostlight will begin its third season in October with a staged reading of the Bayard Veiller play, The Thirteenth Chair, a turn-of-the-century thriller set during a séance. The reading will be directed by Ghostlight Managing Director Chad Wise.  

The Thirteenth Chair, written in 1916, takes place at the home of the wealthy Crosby family. But the phony séance turns out to be the scene of a very real murder. All the doors and windows are locked and the murder weapon can’t be found. How will the real murderer be uncovered?

The reading takes place October 18 and 19 at 7:30 p.m. and October 20 at 2:30 p.m. at Vagabond School of the Arts (4001 N. Ravenswood Ave, Suite 503B, Chicago).    

In February, the company will continue its Nightlight young audiences series with a curated festival of short plays by playwrights from around the country. The plays, geared towards children 12 and under, will all have one unifying feature – strong female characters, continuing the theme of the season. Plays are currently being solicited and script selection will be made in early November. Playwrights interested in submitting to the festival can find more details on the Ghostlight website.

Ghostlight will round out the season in the spring of 2020 with Shakespeare’s beloved romantic comedy, Much Ado About Nothing. Audiences will be invited into Leonato’s Albany Park home to witness firsthand the merry war between Benedick and Beatrice, as well as the less merry machinations of Don John, as this immersive production brings guests, not to a theater, but to a condo on Chicago’s westside. The production will be directed by Holly Robison.

“This season is all about empowerment – from the astute Madame Rosalie La Grange to the outspoken Beatrice – these ladies are not afraid to take charge of their situations,” Lee said. “Nightlight is inspiring our younger audiences as well, with our festival of short plays chock full of strong female and non-binary characters.”

In addition, the company will once again host the Holiday Cabernet – an evening of holiday classics (or not-so-classics) by favorite G.E.T. performers, emerging artists and surprise guests in a cabaret-style setting with an M.C. who overindulges in the holiday spirits. The Cabernet takes place at 8 p.m. on December 14 at Vagabond School of the Arts.

Ghostlight also will continue its popular Live Movie Reading Series throughout the year at Carbon Arc Bar & Board, located in the Davis Theater. Next up in the series is: You and Me and Five Bucks: A Live Reading of Reality Bites. The reading, celebrating the 25th anniversary of this quintessential Gen X film, takes place at 7:30 p.m. Monday, August 28, at Carbon Arc (4614 N. Lincoln Ave., Chicago).

Find out more about Ghostlight Ensemble and the entire 2019-2020 Season at GhostlightEnsemble.com.

Ghostlight Ensemble is a registered 501(c)3 nonprofit theatre whose mission it is to ask questions that challenge the status quo through timeless stories, immersive environments and unconventional staging.