‘Picasso At The Lapin Agile’ Opens on Friday


Ghostlight Ensemble will tackle the age-old debate of which is more valuable to society: art or science with its fall production, Picasso at the Lapin Agile.

The absurdist comedy by American humorist Steve Martin imagines a meeting between Albert Einstein and Pablo Picasso in a Parisian cafe in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter sets the art world afire with cubism.

Ghostlight’s production will explore the struggles and similarities between science and art, but also between genius and fame, big ideas and mere notions and optimism of the new and skepticism of the familiar.

“The play imagines the absurd and mundane in the lives of two men who really did go on to impact the world and alter history,” Director Holly Robison said. “With Picasso, we are asked to consider the men as much as the myth, to see their flaws, silliness, insecurities, hopes and dreams, as much as their towering legacies.  The mythic men are humanized. We can see ourselves in them and understand their desires.

“Even if we are not all geniuses, we all, to some degree, have the same flicker of desire to create, to inspire, to change the world and leave something behind.”

The show stars: Maggie Antonijevic (The Countess/Female Admirer), Norman J. Burt (Charles Dabernow Schmendiman), Zach Finch (Albert Einstein), Joe Dougherty (A Visitor), Sean Harklerode (Gaston), Miona Lee (Germaine), Tim Lee (Freddy), Kat Moraros (Sagot), Sebastian Summers (Pablo Picasso) and Alejandra Vivanco (Suzanne).

Picasso at the Lapin Agile runs October 19, 2018, through November 4, 2018, at the Otherworld Theatre’s new home at 3914 N. Clark Street in Chicago. Performances are Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. with one industry evening performance at 7:30 p.m. on Monday, October 22, 2018. Tickets are $20 General Admission, $15 Seniors and Students and available in advance through Brown Paper Tickets.

Picasso at the Lapin Agile is presented by special arrangement with Samuel French, Inc.

Find out more about Ghostlight Ensemble and its entire 2018-2019 Season here.

Production jobs listed for this summer's 'Princess Without Pots'


Ghostlight is seeking a Fight Choreographer, Scenic Painter and Stage Manager for its feminist fairy tale production of The Princess Without Pots. The production is geared toward young audiences.

To apply for any of the jobs listed below, submit resume and a brief description of what 'fight like a girl' means to you to Production Manager, Carolyn Minor at Please put the job you are applying for in the subject line.

Fight Choreographer
While this is a fight-heavy show, it is also a show geared toward young audiences, so we're seeking an artist who can design believable fights that are, at the same time, not hyper violent. The fights are short, but range from hand-to-hand combat to a sword fight with a spoon to more traditional weapons. Help sourcing weapons will also be appreciated.

Stage Manager
In addition to the usual duties, the stage manager will be required to act as light/sound board operator for performances.

Scenic Painter
We're looking for a scenic painter to help us create the look of a fairy tale castle (inside and out) as imaged by children. More details about the director's vision for this are available upon request.

Schedule Details
Rehearsals will begin in late-April/early May. 
Performances run June 9 to July 1 at 11 a.m. on Saturdays and 1:30 p.m on Sundays at LOL Theater in the North Center neighborhood in Chicago.

Small stipends for each position to be negotiated with experience

Jacobson gives life to children's nightmares in horror-inspired 'Nutcracker'

Victoria Jacobson (right) rehearses for the holiday horror play "Nutcracker Nightmare," which opens on Friday, Dec. 8.

Victoria Jacobson (right) rehearses for the holiday horror play "Nutcracker Nightmare," which opens on Friday, Dec. 8.

In Victoria Jacobson’s book, things that slither along the ground are scary. Dolls are not. And yet in her latest role as Zipakna, a worry doll that comes to life and terrorizes the Stahlbaum family in “Nutcracker Nightmare,” she is tasked with making an audience think just that.

“The biggest challenge was trying to find the balance between doll and creepy in a movement sense, Jacobson said. “What I consider to be bump-in-the-night scary are things that slither or move lower to the floor, while a doll would not necessarily be the type of creature to do so. Exploring a spectrum of movements in that sense is something that I worked on the hardest.”

Read more about Jacobson and her work in The Chicago Tribune and the Lakeview Patch.