Production

Tickets on sale now for Holiday Spirits at the Driehaus Museum

From left: Scott Olson, Sydney Ray and Khnemu Menu-Ra in 2025’s Holiday Spirits at The Driehaus Museum (Photo by Maria Burnham/For Ghostlight Ensemble)

We’re excited to announce that tickets are now on sale for our holiday show, Holiday Spirits, at the Driehaus Museum. This annual event, featuring adaptations of Victorian ghost stories told throughout the museum, is one of our most popular offerings and is only available for two nights: Thursday December 10 and Friday, December 11. Tickets must be reserved in advance, as this show always sells out.

This year we’ve introduced a new story — adapted from The Fourth Wall by A.M. Burrage — and timed entry. The timed entries, in 30-minute increments, will be available beginning at 5:30 p.m. Patrons are asked to show up 15 minutes before their entry time. There will be no late seating for this show.

More information is available on our website, including play summaries.

Hope to see you as we gather ‘round the fireplaces of the Driehaus Museum.

American Son closes this weekend

From left: Courtney Marie as Kendra and Khnemu Menu-Ra as Lt. John Stokes in Ghostlight's production of American Son running through Oct. 4 at Friendship Community Place. (Photo by Maria Burnham/For Ghostlight Ensemble)

Ghostlight Ensemble’s production of American Son continues to bring praise from both audience members and reviewers, with Third Coast Review saying the production’s “impact extends far beyond the final moments of the play.”

“The four-member cast brings incredible performances to American Son. (Courtney) Marie is the heart of this play portraying the defiant mother who will fight at all odds to find her son. She and (Shane) Novoa Rhoades are flawless…” — Emily Werner, Third Coast Review

American Son, written by Christopher Demos-Brown, is a fictitious play based on very real events. Over the course of one night, the story follows an estranged couple desperately seeking answers to the whereabouts of their teenage son, who has gone missing after an encounter with the police. As Kendra, a Black mother, and Scott, her white husband, wait for information, their clashing perspectives expose deep-seated issues of race, privilege and systemic bias.

The production is directed by Ebby Offord and stars Ensemble Member Courtney Marie as Kendra and Ensemble Member Khnemu Menu-Ra as Lt. Stokes with Shane Novoa Rhoades as Scott and Derek Preston Ray as Officer Paul Larkin.

The final four performances take place at 7:30 p.m. on Thursday, October 1; Friday, October 2 and Saturday, October 3 and at 2:30 p.m. on Sunday, October 5 at Friendship Community Place (5150 N Northwest Highway, Chicago, IL 60630).

Tickets are pay-what-you-will and are available now.

Review: 'American Son is a story many of us need to see and experience'

Courtney Marie (L) and Shane Novoa Rhoades in American Son at Ghostlight Ensemble. (Photo by Maria Burnham/For Ghostlight Ensemble)

Ghostlight Ensemble’s production of American Son, written by Christopher Demos-Brown and directed by Ebby Offord, continues this week with the first of five shows (including an understudy performance) beginning tomorrow.

Audiences and reviewers have felt the visceral impact of this timely story with the location, layered acting and strong direction driving home the reality of this drama.

“This play is fantastic, yet is a hard watch. It will make you feel confronted — which good theatre should do. Yes, sometimes theatre needs to be fun and give joy — and sometimes it needs to portray the harsh reality of our world.”  — Lisa with TheatreinChicago

American Son is a story about an estranged couple desperately seeking answers to the whereabouts of their teenage son, who has gone missing after an encounter with the police. As Kendra, a Black mother, and Scott, her white husband, wait for information, their clashing perspectives expose deep-seated issues of race, privilege and systemic bias.

“Ghostlight Ensemble’s production and the setting highlight the sad ongoing relevance of American Son for too many Black parents and their children, who battle microaggressions daily and hope they don’t escalate to something even worse, with no clear answers provided by the people sworn to serve and protect.” — Kerry Reid, The Chicago Reader.

The production is led by Ensemble Member Courtney Marie as Kendra and Ensemble Member Khnemu Menu-Ra as Lt. Stokes with Shane Novoa Rhoades as Scott and Derek Preston Ray as Officer Paul Larkin. Understudies are Terah Jené, Eric K. Roberts, Kyle Roth and Ryan Ken.

Performances take place at 7:30 p.m. on Thursday, September 24; Friday, September 25 and Saturday, September 26 and at 2:30 p.m. on Sunday, September 27. There is an understudy performance at 7:30 p.m. on Monday, September 28. The show runs through October 4 at Friendship Community Place (5150 N Northwest Highway, Chicago, IL 60630).

Tickets are pay-what-you-will and are available now.

American Son is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com.

Personal anguish, systemic injustice collide when a Black teenager goes missing in ‘American Son’

Shane Novoa Rhoades (left) as Scott and Courtney Marie as Kendra in rehearsal for American Son, opening Sept. 18. (Photo by Maria Burnham/For Ghostlight Ensemble)

Ghostlight Ensemble’s production of American Son, written by Christopher Demos-Brown and directed by Ebby Offord, opens in two weeks at Friendship Community Place in Jefferson Park. 

The production is led by Ensemble Member Courtney Marie as Kendra Ellis-Connor and Ensemble Member Khnemu Menu-Ra as Lt. John Stokes with Shane Novoa Rhoades as Scott Connor and Derek Preston Ray as Officer Paul Larkin. Understudies are Terah Jene, Eric K. Roberts, Kyle Roth and Ryan Ken.

“American Son has been on my artistic bucket list for as long as I can remember. As a Black woman married to a white man, its themes are all too familiar, and as a GET Ensemble member, it’s right on mission,” Marie said. “I can’t imagine a better time to tell this story.”

In American Son, an estranged biracial couple must confront their feelings about race and bias after their son is detained by the local police following a traffic stop incident.

The story unfolds over a single night as Kendra, a Black mother, desperately seeks answers about the whereabouts of her 18-year-old son, Jamal, who has gone missing after an encounter with the police. As tensions escalate, Kendra is joined by her estranged white husband, Scott, and their clashing perspectives expose deep-seated issues of race, privilege and systemic bias.

Set in a Florida police station, American Son is a gripping tale of two parents caught in our national divide, with their worst fears hanging in the balance. This tense and emotionally charged drama is a compelling exploration of contemporary social issues.

“I was very interested in telling a story that feels incredibly familiar but still has value in being told again,” Offord said. “The story the Connors experience has been one I’ve witnessed through my phone screen since I was 14 or 15 years old, experiencing the same awakenings about the world and subsequent fear of it that we learn Jamal does. Because I know this family and this story, I was excited to dive into it with a group of artists I knew would approach the material with care.”

The show also ticks off a role on Ensemble Member Menu-Ra’s artistic wish list who has wanted to play a no-nonsense cop since watching Andre Braugher on NBC’s police drama Homicide.

“It’s exciting to finally step into this law enforcement role in a show as nuanced and layered as American Son. It’s a pretty stark reflection of the real lives at stake in the volatile, reactionary world we’re living through,” Menu-Ra added. “We pose some challenging questions, and I look forward to sharing it with audiences.”

This show is important for everyone to see because the underlying message is: this could literally happen to anyone, Offord added.

“Ultimately, your perceptions of the ‘right’ and the ‘wrong’ way to go about something can change in an instant. I’d love to spark that conversation with our audiences,” she said. 

In American Son, the Connors have raised their son to be exception and so believe they have created a life that defies every stereotype their son could face. In the world of the play, both of the Connors learn the bitter truth that racism is much more pervasive than well-intentioned proximity to success.

“Black people are not a monolith,” Offord said. “For that reason, there is not one single justification for why our community experiences police violence at a disproportionate rate. Whether you’re a ‘good’ type of Black person or a ‘scary’ one, a racist doesn’t care to determine the difference.”

The production team includes Stage Manager Hailey Piorek, Scenic and Props Designer Adri Andreolas, Sound Designer Jaden Leverett, Fight Choreography by Tim McCarthy and Costume Designer Andrés Mota. The show is produced by Ensemble Members Justin Broom, Courtney Marie, Chad Wise and Holly Robison.

The production runs Thursdays, Fridays, Saturdays and Mondays at 7:30 p.m. and Sundays at 2:30 p.m. September 18 through October 4, 2026, at Friendship Community Place (5150 N Northwest Highway, Chicago, IL 60630). There will be a preview performance on Thursday, September 17 and an understudy performance on Monday, September 28. The show runs about 90 minutes with no intermission.

Friendship Community Place is a non-profit organization that serves as a hyper-local neighborhood hub on Chicago’s northwest side with partnerships that promote equity, justice and provide resources and public programming. The space is fully accessible with ADA restrooms and automatic doors.

Tickets are pay-what-you-will, with an average donation of $25. Audience members who are financially able to donate more help offset the cost for those who can’t afford to give. For the preview performance on Thursday, September 17, the suggested donation is $15. Tickets are available now.

The play premiered on Broadway at the Booth Theatre on November 4, 2018. Directed by Kenny Leon, the production featured Kerry Washington, Steven Pasquale, Jeremy Jordan and Eugene Lee. In 2019, Netflix produced a film adaptation of the play with the original Broadway cast reprising their roles.

American Son is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com.

Immersed in the act(or), Chicago artist delights in the challenge of site-specific theatre

Lukas Felix Schooler as Leonard in Ghostlight Ensemble's production of "The Dover Road" running through May 3 at the historic Glessner House. (Photo by Alex Albrecht)

Actor Lukas Felix Schooler recently sat down to chat with us about his work in immersive theatre and his character of Leonard in The Dover Road.

“If things don’t go his way he tends to throw a fit,” Schooler said. “He’s quite the man-child and that’s fun to play with. I get to play with my clown training within the confines of a very stiff and blustery man, and that’s lots of fun.”

Chicago actor finds the heart, humanity in humor

Actors Jean Mueller-Burr and Nick Furlong in Ghostlight Ensemble's production of "The Dover Road." (Maria Burnham/For Ghostlight Ensemble)

Actress Jean E. Mueller-Burr recently sat down to chat with us about her character of Eustasia in The Dover Road.

“She loves fiercely and without reservation,” Jean E. Mueller-Burr said of her character who is looking for that love in return – not always in the right places. “She’s ‘too much,’ but all the most fun people tend to be.”

Learn more about Eustasia, the show and Jean here.

Announcing the cast, production details of The Dover Road

(Top row from left) Maria Burnham, Jean E. Mueller-Burr, Marcela Adeze Okek Lukas Felix Schooler. (Bottom row from left) Nick Furlong, James Sparling, Hannah Perez, Faris El-Kildani,

Ghostlight Ensemble is pleased to announce the details, including the cast, of our spring mainstage show, The Dover Road by A.A. Milne.

The 1921 comedy is set in the home of the eccentric Latimer, who waylays couples running away together (to France via the eponymous Dover Road) and gives them a taste of what their lives together might be like by forcing them into sustained exposure to each other's habits and idiosyncrasies.

The Dover Road is a not-so-subtle dissection of romantic love with hints at the homosocial instinct of English upper-class men. Ghostlight’s production brings to the forefront the play’s implied observations on sexuality and gender expression that has always existed in society if you knew where to look.

The cast of The Dover Road is: Ensemble Members Maria Burnham as Latimer and Jean E. Mueller-Burr as Eustasia with Marcela Adeze Okeke as Anne, Lukas Felix Schooler as Leonard, Nick Furlong as Nicholas and James Sparling as Dominic. Understudies are Hannah Perez and Faris El-Kildani.

The play is directed by Co-Artistic Director Holly Robison.

“The Dover Road is an almost forgotten gem of a play,” Robison said. “It has been on Ghostlight’s wish list for many seasons, and I am so thrilled we are finally bringing it to Chicago audiences.”

The rarely produced play premiered on Broadway in 1921 and in the West End in 1922. Today Milne is best known for his children’s books about the bear Winnie-the-Pooh. But before the massive success of the little bear from the Hundred Acre Wood overshadowed his previous work, Milne was primarily a playwright and humorist, who also dabbled as a novelist.

“The script is deeply funny, witty and slyly subversive – it is hard to believe it was written more than a century ago. I can’t wait to see this incredibly talented cast up and running with this story,” Robison added. “For a play about a pivotal meeting in a very special house, it is also particularly exciting to stage this onsite at Glessner House, one of Chicago’s most important historical houses.”

The Dover Road will take place in the coach house of the historic Glessner House (1800 S. Prairie Avenue, Chicago, IL). A National Historic Landmark, the Glessner House was completed in 1887 in the Richardsonian Romanesque style, which took elements of European Romanesque architecture from buildings constructed in the 11th and 12th centuries, and adapted them to American idioms.

The show runs from April 17 through May 3, with a preview performance on Thursday, April 16. Performances take place on Thursdays, Fridays & Saturdays at 7:30 p.m. and Sundays at 2:30 p.m. There is no performance on Saturday, April 18. Please note: There is a designated understudy performance on Monday, April 27 at 7:30 p.m.

Tickets are pay-what-you-will, with an average donation of $30. Tickets include a tour of the historic house before the show. Audience members who are financially able to donate more help offset the cost for those who can’t afford to give. For the preview performance, the suggested donation is $15. Tickets are available now.

The Dover Road is part of Ghostlight’s season celebrating otherness and uplifting Queer characters and voices. Season 9 is centered on the theme, Love As A Verb, and is inspired by a passage from All About Love by bell hooks: “The word ‘love’ is most often defined as a noun, yet all the more astute theorists of love acknowledge that we would all love better if we used it as a verb.”

More information about The Dover Road can be found at www.ghostlightensemble.com/the-dover-road.

Ghostlight Ensemble acknowledges support from the Illinois Arts Council Agency.

Ghostlight Ensemble is a registered 501(c)3 nonprofit theatre whose mission it is to ask questions that challenge the status quo through timeless stories, immersive environments and unconventional staging. As an ensemble-based theatre, Ghostlight is made up of individual artists who are dedicated to collaborative creation and committed to working together consistently over years to develop a distinctive body of work. We welcome you to learn more about us at GhostlightEnsemble.com.

Auditions Announced for 'The Dover Road'

UPDATE (2/3/2026): ALL audition slots have been filled, and we have a very lengthy waitlist. We have received well over 200 submissions (and more are still coming in)! While we'd love to see all of you, unfortunately we only have a limited number of audition slots.

If you can no longer make the auditions or are available for all the dates of the performances, please let us know as soon as possible so we can offer other actors the opportunity. Thank you so much for your consideration toward your fellow actors.


Ghostlight Ensemble is casting for its spring production of The Dover Road by AA Milne, set in the home of the eccentric Latimer, who waylays couples running away together and gives them a taste of what their lives together might be like by forcing them into sustained exposure to each other's habits and idiosyncrasies. This 1920s British comedy-of-manners is a not-so-subtle dissection of romantic love, but buried beneath is a less obvious commentary on the homosexuality, bisexuality and gender nonconformity that has always existed in society if you knew where to look.

Ghostlight will be casting for the following roles and understudies. Actors should submit via this form. Please note that understudies will cover more than one role. The role of Latimer is already cast. 

Casting for the following:

  • DOMINIC – any race, 30s-60s, male-presenting. Butler to Latimer, wry and supremely capable.

  • ANNE – any race, late 20s-early 30s, female-presenting. Inexperienced but wise (and wise-cracking) beyond her years. Running away with Leonard. 

  • LEONARD - any race, 40s-50s, male-presenting. Privileged, blustering, believes he is more effective than he is. Running away with Anne though not quite yet divorced from Eustasia.

  • NICHOLAS – any race, late 20s, male-presenting. Accidental cad who stumbles into affairs more than he actively seduces. Running away with Eustasia.

  • EUSTASIA – any race, 30s-40s, female-presenting. Caretaker and hypochondriac. Eustasia feels unwanted in her marriage to Leonard. Running away with Nicholas.

Please Note: There is no scripted kissing or sexual intimacy, but actors portraying Latimer, Anne, Leonard, Nicholas, and Eustasia will play romantically charged scenes in various couplings, which may include some flirtatious or affectionate touch with other characters, both male and female presenting. 

Time Commitment:
Rehearsals will be 3-4 times/week on weeknight evenings and/or weekend days beginning in late February or early March and scheduled according to cast availability.

Cast members and understudies MUST be available the following dates:

  • Tech week: Saturday, April 11-Wednesday, April 15

  • Performances will run Thursday, Friday, and Saturday evenings and Sunday afternoon matinees from Thursday, April 16 - Sunday, May 1, 2026, with the TBD addition of one possible Monday evening performance on April 28. Please note that performances will be held in the South Loop at Glessner House, 1800 S. Prairie Avenue, Chicago, IL 

Materials To Prepare:
Fill out the this audition form. If invited to audition, you will receive sides to prepare via email prior to your audition. If you are unavailable for initial auditions on Saturday, Feb 7, we may consider video submissions. If we would like you to submit a video, we will send a request with sides to prepare. 

Note on Gender: Please submit for any role that you feel comfortable portraying based on your gender expression/identity.

Pay: Main cast: $300 stipend for production. Understudies: $150 stipend + $25/show performed.

Audition Time: Initial auditions on Saturday, February 7: 10 a.m.-2 p.m.; Callbacks on Sunday, February 8: 4-8 p.m. 

Audition Location: Auditions will be held in the Lakeview neighborhood of Chicago. Details will be provided via email.

Contact for questions: casting@ghostlightensemble.com

Meet the cast of ‘The 8th Dwarf’

(From Top L, clockwise): Sydney Ray, Amanda Elana de la Fuente, Yuni Mora and Drake St. Pierre

Ghostlight Ensemble is pleased to announce the cast and production team of our Nightlight production for young audiences, The 8th Dwarf by Olivia Sieck.

The play, which takes place in the world of Snow White, tells the story of Binkley, a shy outsider dwarf who dreams of joining the mythical seven. To do so Binkley will need to harness their courage, honesty and kindness to meet the challenges set to them by Snow White.

The cast of The 8th Dwarf is: Ensemble Member Sydney Ray with guest artists Amanda Elana de la Fuente, Drake St. Pierre and Yuni Mora.

The production team is: playwright Olivia Sieck, director John Gleason Teske, stage manager Anna Bundy, costume designer Kasey Wolfgang and producer Maria Burnham.

The 8th Dwarf shows us the power of courage, kindness and wit, and how those characteristics mean more than all the material goods in the world.

The production is part of our Nightlight young audiences series, which produces original, adapted and forgotten plays geared toward children and the adults who love them. The show takes place on Saturdays and Sundays at 2 p.m. from Feb. 7-15 at the Bughouse Theater (1910 W Irving Park Rd, Chicago, IL 60613).

Tickets are on sale now. The 8th Dwarf is part of Chicago Theatre Week 2026, which runs from Feb. 5 to Feb. 15 and offers value-priced tickets for 75 shows across the city at $30, $15 or even less.  A limited number of Theatre Week tickets are still available for this show.

Theatre matters. Love matters.

Angry Fags by Topher Payne returns for its final weekend tonight, November 20.

Instead of another post talking about how great the show is (it IS!) we thought we’d let Ensemble Member and Angry Fags cast member Jean E. Mueller-Burr tell you about why theatre really matters in these trying times and what your support of the arts really means.

Jean E. Mueller-Burr as Kimberly Phillips in Angry Fags by Topher Payne (Photo by Pete Guither/For Ghostlight Ensemble Theatre Co.)

Jean E. Mueller-Burr:
“Theatre is an escape. Theatre makes you face tough truths. Theatre is empathy embodied. Theatre is rage and joy and sadness and envy and unbridled energy. Theatre gives a voice to those who feel like they're shouting into the void.

“Theatre is comfort. Theatre is political. Theatre gives a giant hug or a giant middle finger to allies or enemies. Theatre is limitless. Theatre is magic. Theatre is electric. Theatre is fabricated. Theatre is real.

“Theatre matters.

“Let's be honest, it's terrifying to do anything right now. It's scary to even approach plays that lean in any sort of political direction. Going to see a show can feel like a waste of precious time that could be spent doing something that can show more tangible change. Something that really ‘matters.’

“But theatre is undeniably political. Theatre can start movements and launch stars. Theatre has always been a way to drive conversations and a way to offer other perspectives. In a time when we are so divided by the actions of greedy individuals, it's important to feel heard; it's important to offer those who oppress the ability to see the world through the eyes of the oppressed, if only for the slight chance they have a change of heart. It's important to show that, no matter how lonely you feel or how desperate you become, you are not alone - you are in the pages and on the stage. It's important to sit in a space with people from all walks of life and experience a new world, free from any restrictions we have in our own.

“Words, actors, direction, costumes, props, lighting and collaboration. Theatre is a movement. And it matters.”

You can help support art that matters and organizations that matter via our Love As A Verb Fundraiser, which is in its final weeks.

Angry Fags runs through Nov. 23 on Thursdays, Fridays & Saturdays at 7:30 p.m. and Sundays at 2:30 p.m. The performances take place at Lifeline Theatre. Tickets are pay-what-you-will, with a minimum suggested donation of $25 and are available now.

Angry Fags is part of Ghostlight’s 9th Season celebrating otherness and uplifting Queer characters and voices.

'Angry Fags' featured on Out Chicago

Justin Broom (left) and Rafael Gray López in Ghostlight Ensemble’s production Angry Fags by Topher Payne. (Photo by Pete Guither/For Ghostlight Ensemble)

Angry Fags director Jack Bowes and our co-Artistic Director Justin Broom (who stars in the show) spoke with Scott Duff and guest co-host Ken Mejia-Beal on Out Chicago about the production.

Bowes: “It’s very dark, but very funny.”

Duff: “That’s the perfect teaser.”

Mejia-Beal: “I want to go to there!”

Find their full interview here: Out Chicago, Nov. 09, 2025 - Out Chicago - Omny.fm

Tickets are now on sale for Angry Fags

Starting TODAY, tickets are on sale for our fall show, Angry Fags by Topher Payne. This all-too-relevant play about what happens when political rhetoric turns violent is a story of frustration and fear that eventually gives way to rage and revenge.

Angry Fags centers on LGBTQ+ issues and gives voice to the rage that people are feeling about what’s happening in the world around us, but it also prompts us to consider what we do with that rage besides letting it turn us into the very thing we are fighting against.

Tickets are available today via the show page. Click here to access it.

Saturday’s ticket release also coincides with National Coming Out Day, which was first observed in 1988 to commemorate the anniversary of the historic National March on Washington for Lesbian and Gay Rights. The day encourages individuals to come out and share their stories, helping raise awareness and shift societal attitudes toward the LGBTQIA+ community. With nearly half of Americans knowing someone who is gay or lesbian, and one in 10 knowing someone who is transgender, coming out continues to be a crucial step toward social progress.

Learn more about National Coming Out Day and find resources here.

Ghostlight Ensemble Announces Cast for 'Angry Fags'

Top Row: (From left) Ericka Ayche’le, Justin Broom, Jean E. Mueller-Burr & Catherine Councell; 2nd Row: Seth Eggenschwiller, Sydney Genco, Rafael Gray López & Courtney Marie; 3rd Row: Allison McCorkle, Johnard Washington, Jack Bowes & Topher Payne

Ghostlight Ensemble is pleased to announce the cast and production team of our fall production Angry Fags by Topher Payne.

The play, a not-easy-to-define gay crime/political thriller/drama/dark comedy, examines what happens when the persecuted take up arms in what was previously a political war of words mired in oppression and bigotry.

The cast of Angry Fags is: Ensemble Members Justin Broom as Bennett Riggs and Jean E. Mueller-Burr as Kimberly Phillips with Catherine Councell as Senator Allison Haines, Sydney Genco as Deidre Preston, Rafael Gray López as Cooper Harlow, Ericka Ayche’le as Peggy Musgrove and Johnard Washington as Adam Lowell. Understudies are: Ensemble Member Courtney Marie with Seth Eggenschwiller and Allison McCorkle.

The production team is: playwright Topher Payne, director Jack Bowes, production management Justin Broom and Chad Wise, stage manager Haley Welch, scenic and props designer Nora Brooks-Slauter, lighting designer Chelsea Strebe, projections and sound designer Connor Blackwood, costume designer Savana Nix, fight and intimacy choreographer Claire Yearman and marketing Maria Burnham with casting help from Holly Robison.

Read their bios here.

In Angry Fags, a white lesbian state senator is up for re-election in Georgia. Her female opponent is a Black moderate conservative who has aligned herself with right-wing extremists. They’re locked in a tight race in which each side caters to its base and any event can become instantaneously politicized.

When a gay man is bashed with a baseball bat and left to die, his ex-boyfriend, a campaign aide for the incumbent senator, is enraged. But his boss’s unwillingness to label it a hate crime tips him over the edge. Frustration and fear eventually turn to rage, and he teams up with his best friend to embark on a vendetta of sabotage and more, reasoning that if gays aren’t respected enough to win justice, fear will achieve what good intentions and politics cannot.

Angry Fags asks what do we do with our righteous anger? Who do we turn to when we exist within a system that does not protect us, care for us, or keep us safe? Angry Fags is a story of two gay men grappling with these questions and more, as they navigate what justice means to them, to the queer community, and how far they’ll go to fight for it.

Director Jack Bowes says, “When we are taught that the ability to enact violence means power, why are we surprised when the powerless wield it as a tool of resistance? And yet Audre Lorde taught us that ‘the master’s tools will never dismantle the master’s house.’ As fascism crests the horizon of our political landscape, as our communities are increasingly surveilled, as technology further isolates us, what are our options? I hope we can create new tools. And I really hope we can dismantle this entire house, before it’s too late.”

Angry Fags was last produced in Chicago in April 2015 by Pride Films and Plays as part of the Steppenwolf Garage Rep Series.

But Payne re-wrote the cautionary dark comedy in 2019 to reflect the aftermath of the election of the 2016 election and felt that the story being told in his play could not exclude the discussion of race. Concerns about gender, race and sexual orientation do not exist in the bubble, but are all part of the same story of oppression.

Angry Fags will take place at Lifeline Theatre (6912 N Glenwood Ave, Chicago, IL, 60626) on Thursdays-Saturdays at 7:30 p.m. and Sundays at 2:30 p.m. November 7-23, 2025. A preview performance is scheduled on Friday, November 7.

Tickets are pay-what-you-will, with an average donation of $25. Audience members who are financially able to donate more help offset the cost for those who can’t afford to give. For the preview performance, the suggested donation is $10.

Angry Fags is part of Ghostlight’s season celebrating otherness and uplifting Queer characters and voices. Season 9 is centered on the theme, Love As A Verb, and is inspired by a passage from All About Love by bell hooks: “The word ‘love’ is most often defined as a noun, yet all the more astute theorists of love acknowledge that we would all love better if we used it as a verb.”

More information about Angry Fags can be found at www.ghostlightensemble.com/angry-fags.

Ghostlight Ensemble acknowledges support from the Illinois Arts Council Agency. Angry Fags is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com.

Love Takes Place on Stage in 3 Stages, Starting this Friday

(From left) Khnemu Menu-Ra, Dani Brady, Jill Waycie on piano and Jean E. Mueller-Burr will perform "3 Stages of Love" at Mrs. Murphy & Sons Irish Bistro Fridays in September. (Photo by Chad Wise/for Ghostlight Ensemble)

Ensemble Member Khnemu Menu-Ra recently sat down with Patch NorthCenter to discuss his cabaret 3 Stages of Love, which begins this Friday, September 8, at Mrs. Murphy & Sons Irish Bistro.

Love always makes for a good story because some part of it is always relatable. And what better way to explore all the various sides to love than in a three-part cabaret using – at least some – words and songs that people already know.

Chicago theatre artist Khnemu Menu-Ra has spent a decade crafting his 3 Stages of Love – a three-part semi-autobiographical work that features a blend of Shakespeare and song, as well as original pieces.

“I love how the intimacy of a cabaret setting can create a personal, creative flexibility to share classic favorites in a fresh frame or connect more contemporary material to the broad palette of influences from which it sprang,” Menu-Ra said.

Read the entire article here.

Read about 'Drink the Past Dry' in the Chicago Tribune

Alex Albrecht, from left, Khnemu Menu-Ra and Valerie Cambron rehearse a scene in the Ghostlight Ensemble production “Drink the Past Dry,” a site-specific piece performed at Mrs. Murphy & Sons Irish Bistro, April 9, 2025, in Chicago. (Armando L. Sanchez/Chicago Tribune)

Ghostlight’s upcoming production, Drink the Past Dry, was featured in the Chicago Tribune’s Theatre Loop.

Director Maria Burnham and actors Khnemu Menu-Ra and Katharine Jordan spoke with reporter Emily McClanathan about the show, which opens on Friday, May 2 (with a preview performance this weekend at 3 p.m. on Sunday, April 27.

Read all about the show and the work behind it here.

Six years ago, the in-house pub at Chicago Shakespeare Theater moonlighted as a performance space for a touring production of Roddy Doyle’s “Two Pints” by Ireland’s Abbey Theatre. Audience members — who sat at the pub’s tables with drinks in hand — spent a couple of hours eavesdropping on two longtime friends at the bar, their conversations meandering between the mundane and the profound.

This spring, the upstairs bar at Mrs. Murphy & Sons Irish Bistro in Chicago’s North Center neighborhood will similarly transform into a theater venue for “Drink the Past Dry” by Ghostlight Ensemble, a local company with a penchant for site-specific productions. Written and directed by Maria Burnham, this world premiere puts a science fiction twist on the otherwise familiar setting of a Chicago bar: at this watering hole, if you sit on the right stool and order a particular drink, you can travel in time.

Announcing details, cast for new site-specific work, 'Drink the Past Dry'

The cast of Drink the Past Dry. Top Row from left: Alex Albrecht, Abbie Brenner, Valerie Cambron, Catherine Councell. Second row: Stephen Dunn, Katharine Jordan, Khnemu Menu-Ra, Dianne Wawrzyniak. Bottom row: Understudies: Dani Brady, Shantelle Rose Robbel, Sandra Samargis, Olivia Sieck.

Ghostlight is pleased to announce the cast and production team of our spring production, the world premiere of a new work by Ensemble Member Maria Burnham, Drink the Past Dry.

This original piece of site-specific theatre is set in a nondescript neighborhood bar in the middle of Chicago that looks like every other bar in every other neighborhood in the city. But this bar has a secret. It can take you anywhere in time…but only once and only within the walls of the bar, so it turns out not to be as popular a place as one might think.

The stories told in this play include a young adult searching for a lost family recipe, a street fair attendee looking for an old friend and a woman facing a life and death decision. Traveling to the past is never simple and each finds more than they bargained for.

Drink the Past Dry is about the connections we have to the past and how sometimes to move forward, we have to go back.

“I’ve always been interested in how science fiction somehow allows us to more deeply explore our humanity and our past as well as our future,” Burnham said. “Though these stories are wrapped in the sci-fi staple of time travel, this play is really about human connections to ourselves, to the people we love, to the family histories we thought we knew. It’s very much about what it means to be a human being right now.”

The cast of Drink the Past Dry is: Ensemble Member Khnemu Menu-Ra as the Bartender, Alex Albrecht as the Regular, Katharine Jordan as Mica, Catherine Councell as Jamie, Dianne Wawrzyniak as Memaw, Valerie Cambron as Chris, Abbie Brenner as Bethany and Stephen Dunn as Dad. Understudies include Dani Brady, Shantelle Rose Robbel, Sandra Samargis and Olivia Sieck.

In addition to writing, Burnham also directs. The stage manager on this production is Shreya Khanna; the costume designer is Rin Menge; and the producer is Chad Wise.

Drink the Past Dry was imagined as a site-specific piece of theater and takes place in the upstairs bar at Mrs. Murphy & Sons Irish Bistro (3905 N Lincoln Ave, Chicago, IL 60613) on Fridays & Sundays and select Thursdays & Saturdays from May 2 to June 1, 2025. A preview performance is scheduled on Sunday, April 27. The show takes place at 7:30 p.m. on Thursdays, Fridays & Saturdays and 3 p.m. on Sundays.

Tickets are on sale now and are pay-what-you-will, with an average donation of $25. Audience members who are financially able to donate more help offset the cost for those who can’t afford to give. A preview performance is scheduled for Sunday, April 27. Suggested donation for that performance is $10. 

Drink the Past Dry is part of Ghostlight’s season on time. Season 8 celebrates a symphony of creativity that resonates across cultures and time, reminding us that art is a universal language that binds us all.

More information about Drink the Past Dry can be found at www.ghostlightensemble.com/drink-the-past-dry.

Ghostlight Ensemble acknowledges support from the Illinois Arts Council Agency.

Stage Manager needed for Drink the Past Dry

Ghostlight Ensemble is seeking a Stage Manager for its March production of Drink the Past Dry written and directed by Ensemble Member Maria Burnham. Drink the Past Dry is a vignette-style, site-specific production set in a nondescript neighborhood bar in the middle of Chicago. It looks like every other bar in every other neighborhood in the city with a few regulars sipping drinks, making small talk, doing the things people always do in bars. But this bar has a secret. It can take you anywhere in time, but only once and only within the walls of the bar (so it turns out it’s not as popular a place as one might think). But there are some souls who still need to reach out to the past – or to the future – and this is where they come when they do.

Job Details:
The Stage Manager will attend all rehearsals and performances.

The Stage Manager will provide practical and organizational support to the director, actors and designers throughout the production process. They will also be the director's representative during performances, making sure that the production runs smoothly. While Ghostlight will have a company representative at each performance to manage the house, the Stage Manager will be responsible for the production elements of the performance.

Stage Manager will work side-by-side with the director during rehearsals, recording decisions about blocking and notes for the actors, keeping track of logistical and scheduling details and communicating what goes on in rehearsals to the rest of the team.

Key Dates:
Rehearsals will be 3-4 times/week on weeknight evenings and/or weekend days in April 2025. Final dates will be confirmed after review of cast conflicts.

Tech: Thursday, April 24 and rehearsals on Friday, April 25 in the evenings and Saturday, April 26 during the day.

Preview: Sunday, April 27 at 3 p.m.

Performances: 

  • Friday & Saturday, May 2 &3

  • Friday & Sunday, May 9 & 11

  • Friday & Sunday, May 16 & 18

  • Friday, Saturday & Sunday, May 23, 24 & 25

  • Thursday & Friday, May 29 & 30

  • Sunday, June 1

Thursday, May 29 is a designated understudy performance. There will be a put-in rehearsal for the understudies on May 27 or May 28, depending on availability. 

Performance take place at 7:30 p.m. on Thursday, Fridays and Saturdays and 3 p.m. on Sundays. The performance will take place upstairs at Mrs. Murphy and Sons (3905 N Lincoln Ave, Chicago, IL 60613)

Instructions to Apply:
To be considered, please send resume to Maria Burnham maria@ghostlightensemble.com

Pay Rate/Range:
$350 stipend

Auditions announced for Drink the Past Dry

Ghostlight Ensemble is seeking actors for its May production of Drink the Past Dry, a vignette-style, site-specific production set in a nondescript neighborhood bar in the middle of Chicago. It looks like every other bar in every other neighborhood in the city with a few regulars sipping drinks, making small talk, doing the things people always do in bars. But this bar has a secret. It can take you anywhere in time, but only once and only within the walls of the bar (so it turns out it’s not as popular a place as one might think). But there are some souls who still need to reach out to the past – or to the future – and this is where they come when they do.

Character Type:
Ghostlight will be casting for 8 actors. Roles range in age and are not restricted to gender. We are seeking a strong, ethnically diverse cast of all shapes and sizes that represent the culturally rich fabric of Chicago. In addition, we are ideally seeking an older Greek-American actor to play a mother who has just been diagnosed with dementia. A few actors will play multiple roles. We are also seeking understudies for three roles. There will be a guaranteed understudy performance.

Time Commitment:
Rehearsals will be 3-4 times/week on weeknight evenings and/or weekend days in April 2025. Final dates will be confirmed after review of cast conflicts.

Cast members and understudies MUST be available the following dates:

  • Tech: Thursday, April 24 and rehearsals on Friday, April 25 in the evenings and Saturday, April 26 during the day. 

  • Preview: Sunday, April 27 at 3 p.m.

  • Performances:  

    • Friday & Saturday, May 2 & 3

    • Friday & Sunday, May 9 & 11

    • Friday & Sunday, May 16 & 18

    • Friday, Saturday & Sunday, May 23, 24 & 25

    • Thursday & Friday, May 29 & 30

    • Sunday, June 1

Thursday May 29 is a designated understudy performance. There will be a put-in rehearsal for the understudies on May 27 or May 28, depending on actor availability.

Performance take place at 7:30 p.m. on Thursday, Fridays and Saturdays and 3 p.m. on Sundays. The performance will take place upstairs at Mrs. Murphy and Sons (3905 N Lincoln Ave, Chicago, IL 60613). Call for preview and performance will be an hour before showtime.

Pay:
Actors and understudies will receive a $100 stipend for rehearsals, tech and preview, plus $25 per performance stipend.

Audition Time & Location:
Auditions will be held at the Lincoln Square Presbyterian Church Community Space at 4635 N. Rockwell St, Chicago, IL 60625. (Across and a few buildings down the street from the Rockwell Brown Line Station.)

Auditions will take place from 6:30 to 9:30 p.m. on Wednesday, March 19. Callbacks will be held from 1:30 to 3:30 p.m. on Saturday, March 22.

Materials To Prepare:
Please submit your headshot and resume to Maria Burnham at casting@ghostlightensemble.com. Please clearly indicate if you have any conflicts during indicated audition times on March 19 or callbacks on March 22.  Sides will be provided.

Contact:
Maria Burnham
Email: casting@ghostlightensemble.com

Ghostlight Ensemble Announces Cast, Production Team For Invaders Of Mathmatica

The cast of Invaders of Mathmatica. Top row from left: Sam Campos, Sarah Beth Johnson, Peter Leondedis and Julia Namm. Bottom row from left: Kendal Romero, D'Angelo Smith, Gabriella Smurawa and Sasha Vulovic

Ghostlight Ensemble is pleased to announce the cast and production team of Invaders of Mathmatica written by Ensemble Member Nick Conrad – the company’s first full production for young audiences since 2019.

The new work is set on the planet of Mathmatica where math and science are revered above all else and their technology far exceeds those of the other worlds in their solar system. But their culture has advanced without artistic expression and with a fear of outsiders. The planet has shut itself off from other worlds, figuratively and literally.

When three outsiders crash on the surface bringing with them music, art and dance, the princess of Mathmatica begins to question the logic of their isolationist tendencies and the history she’s always been taught.

“I am excited to see what this exceptionally talented cast and production crew will create,” said playwright and co-director Nick Conrad. “It is my hope that the subtext of this play motivates our audience to realize that we can learn a lot from people who are different than us. When we drop our ‘shields’ and work together we can accomplish anything.”

The cast of Invaders of Mathmatica is Kendal Romero as Princess V, Peter Leondedis as King Algebra, D'Angelo Smith as Digit, Sasha Vulovic as Sway, Sam Campos as Hue and Gabriella Smurawa as Aria. Sarah Beth Johnson and Julia Namm are the understudies.

Conrad and fellow Ensemble Member Maria Burnham direct. Esau Andaleon is the stage manager; Ashley E. Benson is the costumer and Ensemble Member Chad Wise is the production manager.

The company has been producing a short play festival for young audiences since 2020, but this is its first full production in its Nightlight series in five years.

“We’re excited to bring our mission of asking questions that challenge the status quo through timeless stories, immersive environments and unconventional staging back to our youngest audience members,” Burnham said. “Mathmatica falls in line with our desire to tell compelling stories for children that do not talk down to them but help make sense of the world around them while still making theatre fun for them.”

Nightlight is Ghostlight’s young audiences series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Invaders of Mathmatica is part of Ghostlight’s season focused on time. Season 8 celebrates a symphony of creativity that resonates across cultures and time, reminding us that art is a universal language that binds us all.

Invaders of Mathmatica runs over two weekends in February 8-9 and February 15-16 at 2 p.m. at the Bughouse Theater in the NorthCenter neighborhood of Chicago. General admission tickets for adults are $20; general admission tickets for students and children is $10. The show takes place during Chicago Theatre Week.

Chicago Theatre Week is an annual celebration of the rich tradition of theatre-going in Chicago. As a program of the League of Chicago Theatres, in partnership with Choose Chicago, CTW is in its 13th year and will take place February 6 – 16th. Find more information at ChicagoTheatreWeek.com.

More information about Invaders of Mathmatica can be found at www.ghostlightensemble.com/invaders-of-mathmatica.

Ghostlight Ensemble acknowledges support from the Illinois Arts Council Agency.

Theatre Week 2025 coming in February

Ghostlight Ensemble is proud to be participating in Chicago Theatre Week February 6 – 16 with Invaders of Mathmatica, our young audiences production.

Tickets will be on sale soon for our show!

Chicago Theatre Week is an annual celebration of the rich tradition of theatre-going in Chicago. As a program of the League of Chicago Theatres, in partnership with Choose Chicago, CTW is in its 13th year and will take place February 6 – 16th. Find more information at ChicagoTheatreWeek.com.